- Adelaide Connection (Choir)
Director: Anita Wardle
The Adelaide Connection is the Elder Conservatorium's premier Jazz Choir and has been one of Australia's most prestigious vocal groups since its inception in the 1980's.
The group was founded by the original director John McKenzie and was named by Don Burrows, with whom the choir have performed and recorded.
The group consists of between 15 and 18 students and has a mixture of soprano, alto, tenor and bass voices. The Connection have built a repertoire of harmonically sophisticated vocal music, both a cappella and accompanied. The majority of the vocal arrangements focus on close part harmony and complex jazz rhythms and sight reading is a strong focus for this ensemble. To strengthen the students' knowledge of jazz history, chosen repertoire includes music from early jazz choir arrangers such as Gene Puerling to current arrangers such as Darmon Meader and Kerry Marsh.
Performance opportunities are also an important focus for the Adelaide Connection. High profile concerts such as the Elder Hall Lunch Hour Concert Series are undertaken each year and these performances provide invaluable experience for the students. Performance opportunities also provide the students with a goal and deadline, both important skills to learn for any aspiring musician.
- Big Band
Director: Dusty Cox
Under the long time direction of Hal Hall and now Dusty Cox, the Big Band has showcased a broad range of material from the traditions of Basie and Ellington to contemporary music. The ensemble has worked with many ‘jazz giants’, including James Morrison, Lee Konitz, Errol Buddle, Don Burrows and many others. It has appeared at the Manley Jazz Festival three times; in 1995 it featured at the Monsalvat Jazz Festival, and in 2002 performed at the prestigious Wangaratta Jazz Festival. The Big Band has also toured extensively throughout South Australia and in 1994 it produced a CD, Live at the Walker’s Arms and completed a studio recording in 2008.
In 2006 under the direction of Dusty Cox, the big band featured in the Evening Concert Series with world renowned saxophonist and composer Bob Mintzer and his original compositions, with trumpeter John Hoffman and vocalist Michelle Nicole in 2007 and trumpeter Ray Vega in 2008, performing classic Latin jazz compositions and arrangements by Dizzy Gillespie, Ray Santos, Gordon Goodwin and others. Ray Vega returned in 2009 and the band once again performed with Ray as the guest soloist. The Jazz Orchestra has received an award from DownBeat (international jazz) magazine for ‘Outstanding College Performance’ for 2009 in their ‘32nd Annual Student Music Awards’ winning over entrants submitting from all over the world. The Elder Conservatorium’s Big Band is the first Australian University ensemble to receive this prestigious award.
- Latin Jazz Ensemble
Director: Mark Ferguson
The Latin Jazz Ensemble was formed in 2009 as the Latin Ensemble to replace three previous student ensembles; Big Band 3, the Jazz Percussion Ensemble and the Keyboard Ensemble. It is a training ensemble; a stepping stone into the prestigious Big Band 1 and it has become a student favourite over the years. In 2012 it was rebadged as the Cuban Ensemble and the repertoire now focuses on music from the Caribbean, Colombia and New Orleans.
The instrumentation is always varied each year. In 2009 there was a four-piece horn section, a rhythm section and a five-piece percussion section. In 2011 there was a four-piece melodica section (keyboards into which you blow), a seven-piece percussion section, a six-piece horn section, two keyboards, vibraphone and rhythm section and in 2013 there was a seven-piece sax section, four-piece brass section and a rhythm section. As there is rarely any written music commercially available for the groups, director Mark Simeon Ferguson continually rearranges big band and medium-sized band charts for the group while also composing new music for the specific ensemble members. Students are also encouraged to write for the group.
The ensemble spends a small portion of each rehearsal working through pages of rhythmic exercises which then become foundations for improvisation over simple chord progressions which are all designed to foster a ‘rhythm first' attitude amongst the students and to provide the percussion section with plenty of time to develop confidence on their new instruments.
- Small Jazz Ensemble
The Small Jazz Ensemble program provides professional performance experience for jazz students.
Each student is allocated an appropriate ensemble, depending upon the year of study, program and individual performance level. Classrooms with excellent facilities are provided for each ensemble to rehearse twice a week, with supervision by experienced lecturers.
Opportunities for performance are also provided, including several appearances at Jazz Forum each Semester in addition to various public concerts and appearances.
Jazz students are required to attend Jazz Forum each week, providing a scheduled performance opportunity for all Small Jazz Ensembles. Both written and verbal feedback are given for each performance, providing the ensembles and performers with critical information for consideration during following rehearsals.
- Auditioning for the Jazz Ensembles (for Jazz students only)
Auditions for Conservatorium students are held in Orientation Week each year - see the University's O'Week website for session times.
- All students to meet first in Madley Rehearsal Studio on the day of auditions (see O'Week planner for detail)
- Vocalists and wind instruments: audition sign-up sheets will be available at the Conservatorium office, Level 9 Schulz Building. Vocalists will also have excerpts available to collect.
- Rhythm section instruments: there is no sign-up sheet - you will be grouped on the day.
- Instrumentalists bring personal instruments only, piano provided, amps are provided (bring your own guitar/bass leads). Drummers, do not bring your cymbals- you will need to use the Conservatorium kit and cymbals because there is no time to swap anything out.
All queries should be directed to Mark Ferguson